The Hunt (Jagten) Movie Review

Posted by erlan | Posted in news | Posted on 15-04-2013

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THOMAS VINTERBERG’S thrilling comedy, successful at city, arrives in cinemas at a very applicable moment. It’s not simply that The Hunt is among the grimmest Christmas movies ever created. The Danish image conjointly should do with one in all the season’s hot-button topics: insecure accusations of kid abuse and therefore the manner of their propagation.

As it happens, The Hunt has very little to mention concerning the insidious power of silly social media applications. The protagonist, a teacher, is destroyed by old-school analogue gossip. One wouldn’t be altogether stunned to listen to that the script had been upraised – with solely minor tweaking – from a recently discovered Ibsen play.

The irresistible Mads Mikkelsen plays movie maker, a popular worker at a Danish preschool. He recently single, however gets on smoothly well along with his equally agreeable son. Weekends are spent scaring up slightly clumsy metaphors at a sublime looking lodge: the unfortunate cervid come back to square certain the harried movie maker. Everything begins to show ghastly once Klara (Annika Wedderkopp), one in all his pupils, blunders her method into suggesting that some inappropriate contact has taken place.

Vinterberg and Tobias Lindholm, his co-writer, raise US to believe that – instinctively and clearly inclined towards supporting the kids – academics and social employees might subconsciously conspire to implant false recollections within the supposed victim’s mind.

Cobbled along from real cases, the script regarding convinces US that this might be thus. A perverse impulse drives otherwise tight folks into basic cognitive process that any questioning of any accusation constitutes a betrayal of the kids.

The Hunt is commendable forgiving of Klara. Sweptback on by a tide of ill-feeling, she comes across as another victim of the Kafkaesque fervour. In one in all the film’s most touching scenes (though not the saddest) she calls spherical to check movie maker, currently utterly ostracized, to raise innocently once his friendly, goofy geographical area. Movie maker shows no malice to the unfortunate kid.

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